I wanted to post some links to images from the final exhibit since I just got them.
I did my final thesis work on interaction design, the cyborgian state of our existence and socio-techno interaction in daily life. I looked particularly at the impact on craft, hacktivism, art and diy movements and discussed the implications on our sense of self and identity.

Our Best Machines are Made of Sunshine, Quilt 2009 by Paige Saez

I Made You a Wearable Computer, I Hope You Like It, T-shirts by Paige Saez 2009

My thesis Everyday Practical Magic brings together my research in social media, experience design, and anthropology, 
with my experience as a maker of material objects and hence, a facilitator of intimate exchanges 
between people, objects and the media. Through the work of Donna Haraway and Clay Shirky I 
outline the conditions of our political identity as cyborgs. I highlight the tremendous impact 
networked cultures (mobile and internet) have had on our understanding of social ritual. I describe 
three projects completed over the last four years that laid the groundwork for this paper and 
my thesis exhibit. 
Using Wittgenstein’s writings on meaning and use in his Philosophical Investigations, I point to the 
political power of language in shaping cultural understanding of different kinds of economies. 
I illustrate the work of two other like‐minded collectives; Superflex and The Center for Tactical Magic, 
and clarify what happens when art‐making, cultural activism, and communication technologies collide. 
Through Henry Jenkins’ work on Participatory Culture, I elucidate the hybridity of social 
media and art and describe the difference between interaction and participation. 
I rely on Jerry Saltz’ review of The Generational: Younger than Jesus to explain my and other millennial artists work as evidencing a trend towards anthropology, 
sociology and ethnography. Then I summarize the simplistic process, yet complicated context of the 
work I created for the Practical Everyday Objects exhibit. Finally, I  point out that art itself is a social 
media that emerged through use, and shapes the world around us.  

There are a bunch of images on my flickr account here: paige’s flickr

Borg Group

I was at MIT’s Media Lab last week. The guy I was with pointed to the third floor and talked about the people who came out of it. It was as if the third floor were an incubator for ideas. The third floor had cyborgs. Or ‘borgs’ as they were called when they were first there. These borgs were the first to make wearable computing reality. From lugging tens of pounds of heavy equipment on their backs and bearing with the consequences, they made computers conform to the shape of their bodies, not their bodies to the shape of the computers we use today.

Interesting Beginnings

Lifecasting

It is important to note that Steve Mann was one of the borgs behind the beginning of wearable computing. He was also an early lifecaster — of the kind we recognize as iJustine today (in its most consumeristic form). He had this idea that if he were to be watched all of the time by survelliance cameras, he could watch the world back. This idea he called “sousvellience”, or survelliance by the individual.

Many media sources have cited Mann as “the world’s first cyborg”, from his early work with wireless wearable webcams.[14] Mann’s publications include the book Cyborg: Digital Destiny… and the textbook Intelligent Image Processing, describing his early adoption of an alternative life style with significant and interesting ideas. In 2001, filmmaker Peter Lynch directed Cyberman, a film about Mann’s life and inventions”. [1. http://en.wikipedia.org/wiki/Steve_Mann]

Now a tenured professor at the Department of Electrical and Computer Engineering at the University of Toronto, Steve Mann continues to push the boundaries of how humans and computers can cocreate each other, as well as amplify human action.

The Evolution of Wearables

Computing Lightness

Everything is becoming lighter and lighter. The industrial revolution saw the rise of heavy, unwieldy machines, but as time progressed, interfaces became liquid (iPhone), and computing became detached from cables and cords — and weight. Steve Mann took advantage of this as soon as he realized it. Because of this, he’s light years ahead of the rest of us lumbering beasts.

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Some of Steve Mann’s recent publications that are available on the WWW:

Comparametric Equations (the mathematical theory of computer mediated reality)

Wearable Intelligent Signal Processing: Lead article from Proceedings of the IEEE, Nov. 1998, Vol. 86, No. 11, cover+p2123-2151

http://computer.org/computer/backissu.htm (scroll down to the feature article of Feb.’97)
The complete article is also available from: http://n1nlf-1.eecg.toronto.edu/ieeecomputer

See also: http://www.wearcam.org/chi97 and http://www.wearcam.org/personaltechnologies and http://www.wearcam.org/historical/

For a light overview of the invention, see: http://www.wearcam.org/judith_gaines_und.gif or if you want more resolution: http://www.wearcam.org/judith_gaines.jpg

Mathematical theory (video orbits) behind his “image compositing” work, see Sep.’97 issue of IEEE Transactions on Image Processing http://n1nlf-1.eecg.toronto.edu/tip.ps.gz

A small gallery of images is located at http://n1nlf-1.eecg.toronto.edu/orbits/gallery.html and a brief description at http://n1nlf-1.eecg.toronto.edu/orbits/

The chirplet transform

Take a look at some other embodiments of his “WearComp” (wearable computer) invention (e.g. WearComp1, WearComp3, etc.): http://www.wearcam.org/steve5.jpg

Other pictures of Mann’s “WearComp” invention as it has evolved over more than 20 years.